Thornton Dial American, 1928-2016

Overview

 "If everybody understand one another, wouldn’t nobody make art. Art is something to open your eyes. Art is for understanding."

 

- Thornton Dial

Thornton Dial’s artistic practice emerges from the rich soil of the Southern United States, where his lived experiences as a laborer deeply inform the raw, visceral power of his work. Dial’s creations—whether drawings, assemblages, sculptures, or installations—are born from the detritus of his environment, transforming discarded materials into poignant narratives that articulate the African-American experience with unflinching honesty. His work captures the relentless struggle and enduring spirit of a community, making visible the often-overlooked histories embedded in the Southern landscape.

Dial’s work engages in a complex dialogue between tradition and innovation, drawing on the aesthetic of yard shows and the improvisational energy of jazz to create intricate, multilayered compositions. His assemblages, with their dense amalgamation of found objects, defy simple categorization, embodying a hybrid aesthetic that bridges folk art and contemporary practices. Thematically, Dial’s art traverses the extensive terrain of African-American history, from the trauma of slavery and the Great Migration to the triumphs of the civil rights movement and beyond. Central to his oeuvre is the depiction of women, who are portrayed as pillars of strength and resilience, reflecting both Dial’s personal connections and the broader cultural significance of female figures in African-American communities. Through his work, Dial presents art as both a historical document and a guiding light, illuminating the path towards a more inclusive and understanding future.
Works
Biography
Thornton Dial’s (b. 1928, Emelle, AL; d. 2016, McCalla, AL) work has been the subject of numerous solo exhibitions at museums and institutions across the nation, including the Abroms-Engel Institute for the Visual Arts, University of Alabama, Birmingham, AL; traveling to Samford University Art Gallery, Birmingham, AL and Wiregrass Museum of Art, Dothan, AL (2022–23); Toledo Museum of Art, Toledo, OH (2020); High Museum of Art, Atlanta, GA (2016); Indianapolis Museum of Art, Indianapolis, IN (2011); New Orleans Museum of Art, New Orleans, LA (2011); Museum of Fine Arts, Houston, TX (2005); New Museum of Contemporary Art, New York, NY (1993); American Folk Art Museum, New York, NY (1993); and was included in the Whitney Biennial, Whitney Museum, New York, NY (2000). Dial’s work is represented in the permanent collections of the American Folk Art Museum, New York, NY; Brooklyn Museum, Brooklyn, NY; Dallas Museum of Art, Dallas, TX; de Young Museum, San Francisco, CA; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Metropolitan Museum of Art, New York, NY; Museum of Contemporary Art, Los Angeles, CA; Museum of Fine Arts, Boston, MA; Museum of Modern Art, New York, NY; National Gallery of Art, Washington, D.C.; Pérez Art Museum, Miami, FL; Smithsonian National Museum of African American History & Culture, Washington D.C.; Whitney Museum of American Art, New York, NY, among many more.
Exhibitions
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