Layo Bright Nigerian, b. 1991
"I don’t think of comparative ways of assessing my works when I’m making them. Instead, it’s a kind of dance with each work — the ‘dance’ here connoting free thought and expression — it doesn’t have to be perfect but I make my own moves and enjoy what each one brings. If I don’t let myself ‘dance’ freely, then it’s back to the start for me."
- Layo Bright
Mining personal archives and collective experiences, Layo Bright’s sculptural practice interrogates how materials shape perception, culture, and politics. Bright’s work explores specific themes of migration, inheritance, legacy and identity through hybrid portraits, textiles, and mixed media that call on natural forms and ancestral memory. Bright employs a range of materials such as glass, clay, wood and textiles. These forms mirror fragile yet complex relationships with the personal, natural, and built environment. Bright’s work with plastic, checkered bags—often linked to migrants around the world—combines the material with crushed glass to critically address the inevitability of migration and loss in our current global climate. In fusing these and other materials, Bright’s practice carefully considers the legacy of suppressed histories within inequitable class structures.
Bright received her LL. B (Hons.) from Babcock University (2014), was called to the Nigerian Bar Association (2015) and received her MFA in Fine Art (Hons.) from the Parsons School of Design (2018). Bright has exhibited work both internationally and nationally. Solo and group exhibitions include: Rockhaven, moniquemeloche, Chicago, IL (2022); Undercurrents, Sean Kelly Gallery, New York, NY (2022); Lubeznik Center for the Arts, Michigan City, IN (2022); Bode Projects, Berlin, Germany (2022); Phillips, New York, NY (2021); Welancora Gallery, New York, NY (2021); Mike Adenuga Centre, Lagos, Nigeria (2021); Anthony Gallery, Chicago, IL (2021); Parts & Labor, New York, NY (2020); Meyerhoff Gallery at MICA, Baltimore, MD (2020); Untitled AWCA, Lagos, Nigeria (2019); Mana Contemporary, Chicago, IL (2019); and Smack Mellon, New York, NY (2019), among others. In fall of 2023 Bright's work will be included in A Two Way Mirror: Double Consciousness in Contemporary Glass by Black Artists, Museum of Glass, Tacoma, WA. She is the recipient of honors and awards including the UrbanGlass Winter Scholarship Award (2021/2020), the International Sculpture Center's 2018 Outstanding Student Achievement in Contemporary Sculpture Award (2018), and the Beyoncé Formation Finalist Scholarship (2017). Previous residencies include Tyler School of Glass, Philadelphia, PA; Art Cake Residency in Brooklyn, NY; NXTHVN Fellowship in New Haven, CT; Triangle, Brooklyn, NY; Flux Factory, Queens, NY; The Studios at Mass MoCA, North Adams, MA; Tritryagain Studio Residency, Brooklyn, NY; International Studio Center Sculpture Residency at Grounds for Sculpture, Hamilton Township, NJ. Bright lives and works in New York, NY.
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