Leonardo Drew American, b. 1961
Leonardo Drew's gravity-defying sculptures convey a feeling of barely contained or restrained energy and chaos. Drew states, “I think of it as making chaos legible.”
Leonardo Drew is known for creating contemplative abstract sculptural works that play upon a tension between order and chaos. At once monumental and intimate in scale, his work recalls post- minimalist sculpture that alludes to America’s industrial past. Drew transforms accumulations of raw materials such as wood, scrap metal, and cotton to articulate various overlapping themes with emotional gravitas: from the cyclical nature of life and decay to the erosion of time. His surfaces often approach a language of their own, embodying the labored process of writing oneself into history.
Drew’s works have been shown internationally and are included in numerous public collections including the Metropolitan Museum of Art, New York; Solomon R. Guggenheim Museum, New York; The Museum of Contemporary Art, Los Angeles; The Hirshhorn Museum and Sculpture Garden, Washington, D.C.; and Tate, London.
Drew was born in 1961 in Tallahassee, Florida, and grew up in Bridgeport, Connecticut. Memories of his childhood surroundings—from the housing project where he lived to the adjacent landfill—resurface in the intricate grids and configurations of many of his pieces. Although often mistaken for accumulations of found objects, his sculptures are instead made of “brand new stuff”—materials such as wood, rusted iron, cotton, paper, and mud—that he intentionally subjects to processes of weathering, burning, oxidation, and decay. During his early childhood, Drew often found himself there mining through and creating works from discarded remnants, giving them new meaning. Drew recalls, “I remember all of it, the seagulls, the summer smells, the underground fires that could not be put out… and over time I came to realize this place as ‘God’s mouth’…the beginning and the end…and the beginning again… Though I do not use found objects in my work (my materials are fabricated in the studio) what has remained from my early explorations are the echoes of evolution…life, death, regeneration.”
Leonardo Drew attended Parsons School of Design, and received a BFA from Cooper Union (1985). Whether jutting out from a wall or traversing rooms as freestanding installations, his pieces challenge the architecture of the space in which they’re shown. Never content with work that comes easily, Drew constantly reaches beyond “what’s comfortable” and charts a course of daily investigation, never knowing what the work will be about but letting it find its way, and asking, “What if….”.
Drew's works have been shown internationally and are included in numerous public collections including the Metropolitan Museum of Art, New York; Solomon R. Guggenheim Museum, New York; The Museum of Contemporary Art, Los Angeles; The Hirshhorn Museum and Sculpture Garde Washington, D.C.; and Tate, London. Drew was commissioned for a new outdoor project City in the Grass for Madison Square Park in summer 2019, marking the Madison Square Park Conservancy's 38th public commission and the artist's first major public outdoor art project. City in the Grass was presented as a solo exhibition in three museums, the Wadsworth Atheneum Museum of Art, Hartford, Connecticut (2021); Mississippi Museum of Art, Jackson (2020); and North Carolina Museum of Art, Raleigh (2020). Other solo exhibitions include Hammer Museum, Los Angeles, California (2020); University of Massachusetts Amherst (2019); de Young Museum, Fine Arts Museum of San Francisco, California (2017); Palazzo Delle Papesse, Centro Arte Contemporanea, Siena, Italy (2006); and the Hirshhorn Museum and Sculpture Garden, Washington, D.C. (2000).
Drew's mid-career survey, Existed, premiered at the Blaffer Gallery at the University of Houston in 2009, and traveled to the Weatherspoon Art Museum in Greensboro, North Carolina, and the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts. Recently, Drew was commissioned for two major site-responsive works permanently installed at San Francisco International Airport, Harvey Milk Terminal 1, and at the Facebook Headquarters, Menlo Park, California respectively. In 2022, Drew was elected as a National Academician by the National Academy of Design.
Drew currently lives and works in Brooklyn, New York.
-
Frieze | Shows to See in the US This April
From a group show of Black artists at Johnson Lowe to Ignacio Gatica’s multi-media sculptures, here are the best shows to see across the US right now April 14, 2023‘The Alchemists’ Johnson Lowe, Atlanta 3 March – 29 April Before we set foot in the gallery, Mark Bradford’s large-scale canvas, Playing Castles (2022), greets...Read more -
Artsy | Why Atlanta's Art Scene is Making Waves
by Ayanna Dozier April 5, 2023The South got something to say.” André Lauren Benjamin (a.k.a. André 3000) uttered these infamous words while accepting the “Best New Artist (Group)” award with...Read more -
Frieze | 'The Alchemists' Ritualizes Black Culture
by Lisa Yin Zhang April 4, 2023Before we set foot in the gallery, Mark Bradford’s large-scale canvas, Playing Castles (2022), greets us through a window. It reads as a tortured aerial...Read more -
ArtsATL | Review: “The Alchemists” at Johnson Lowe is a groundbreaking, must-see show
By Jerry Cullum March 27, 2023The Alchemists, on display through April 29, represents a spectacular new beginning for the renamed and reconceived Johnson Lowe Gallery. At the same time, it...Read more -
Atlanta Journal Constitution | "Art As Transformation is at the heart of an impressive group show"
By Felicia Feaster March 14, 2023‘The Alchemists’ at Johnson Lowe Gallery brings together Atlanta-based artists those outside the city in challenging, rewarding exhibition | Atlanta Journal Constitution | Felicia FeasterRead more